![]() The piece finishes with a reprise of the rather funky introductory material. ![]() The higher pitched instruments play a counter melody to the baritone line which helps build excitement. Once the intro is over, the solo Baritone Sax underlying figure establishes the feel for the central section of the piece. Two bars later the percussion joins in and the fun begins in earnest. The music in these first two bars would be the signal for the parade to start. The introduction begins with two punchy Baritone eighth notes answered with a syncopated chordal figure played by the remaining saxophones in the ensemble. While in Havana, the composer was treated to a lively street parade with people dancing on stilts – just the sort of activity this for which this Havana Promenade is suited. The Javier Zalba Quartet plus percussionist Andres Coayo, instil an authentic Latin-American vitality into this engaging composition. The work has been performed a number of times internationally, including at the Donne in Musica festival in Italy in 1997, at the Australian Rhapsodies to Rhumbas Concerts in 20 and in Cuba 2016.Ī recording of this work by Cuban musicians is available on the Parma Recordings CD 'ABRAZO' (Ansonica Label). The work explores many varied time signatures (7, 5, 4 and 3 beats per measure), contrapuntal techniques and syncopated rhythmic effects as well as introducing strong melodic themes. This lively rhythmic work was originally commissioned by the Sydney Saxophone Quartet. ![]() View the Enhanced Content Website for this CD here.ģ) Ritmo de la Noche ( Rhythm of the Night)
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